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Figure 5 3. The display from the BackgroundMusic example project This is nearly all you need to know about playing music, but there is one other thing that you should be aware of, and it is a rather annoying feature of XNA s media playback functionality. When you set a song to loop, there is a very slight pause between the song finishing and restarting. If your song fades to silence at the end, it will be unnoticeable, but if you try to loop the song so that it restarts seamlessly, this pause can be quite noticeable. Although there is nothing you can do to eliminate the pause, you can make a minor adjustment to the song to slightly reduce its impact. The pause can be irritating on two levels: it enforces a brief moment of silence and it results in the music playback being thrown slightly off-beat. This second problem can be very distracting indeed. To eliminate the timing problem, edit your music file and trim about one-tenth of a second from the end. Then save it and use this modified version in your game. The pause will then be offset by a corresponding gap in the music track, allowing the beat to continue uninterrupted.

Game in Focus: Cosmic Rocks (Part III)

In Figure 5-11, I have moved the camera to one edge of the terrain heightmap to show how blending the viewport background with the fog color creates the illusion of a continuous zone of fog in all directions You can see how the terrain in the distance ultimately blends with the fog at the fog distance (the point at which the fog obscures all geometry in the scene)..

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We could certainly enhance Cosmic Rocks by adding some sound effects, so let s do so now. After giving some thought to the aspects of the game that could use sound effects, the following list emerged: A laser gun sound for when the player fires. It needs to avoid being overpowering because it will be played a lot of times. A white noise sound for when the player is thrusting. A sound for hyperspace. A substantial explosion for when the player s ship is destroyed, A smaller explosion for when a rock is damaged. Once again, this is a very frequent sound, so it needs to be much quieter than the player explosion.

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I spent some time searching through the Creative Commons sound effect sites; after a little hunting, I managed to find a set of samples that I think work very well All the sounds and the attribution information can be found within the Content project of the CosmicRocksPartIII project that accompanies this chapter The attribution information is contained within the Attributiontxt file, also included in the Content project In a finished game, this information would need to be included somewhere inside the game itself (perhaps in an About or Credits screen, but we ve not developed one of them yet, so this will suffice for the time being).

For the most part, the integration of the sound is very straightforward: at the appropriate trigger points (the spaceship s FireBullet, Hyperspace, and Explode functions and the rocks DamageRock function), the game simply needs to call the Play method of the appropriate sound effect The only sound that is a little more complex is that of the thruster It is implemented using a looping sound effect, so a SoundEffectInstance object is used This is declared as a class-level variable within the SpaceshipObject class and is named _thrusterSound Two simple functions are present within the spaceship code to support this: StartThrusterSound and StopThrusterSound When the game detects that the screen has been touched long enough for thrusting to begin, it calls the first of these functions to start the sound; when contact is released, it calls the second function to stop it again.

In Figure 5-12, I have moved the camera to an edge again, but this time I commented out the step that matches the viewport background to the fog color. As you can see, the nice blending we had in Figure 5-11 has given way to a stark black backing to our scene. Notice that the fog is still in effect on the terrain in the distance.

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